Occupation of Independence

Last post I used a movie metaphor from "Enemy at the Gates." This motivated me to rewatch the movie. I was impressed the first time I saw it, but over time I have come to appreciate it more. Those British actors are so good! The whole team was good. But my focus is on the work of the screenwriter. That is a job that doesn't usually come real high in the hierarchy of credits, but to me it is what makes the movie fun.  Perhaps some of us just don't have an appetite for the sheer verbosity of a book. But we can love ideas transformed into moving images. _____________________________________ The other day I met a professional painter who said he was going to paint every single one of the national parks. So there were two things I had no appreciation of. He showed me a couple samples. It would have been great to know something about his medium. I feigned an interest in his paintings but he could probably see right through me. ______________________________________ Being he

  I have been on the war path lately with tourists. It is too easy. Therefore let's focus on touristic success stories. That last paragraph brings up a movie metaphor: remember the speech by the political officer at the beginning of "Enemy at the Gates?" He said that the 'country needed examples to follow -- what it needed was heroes.' Krushchev walked over to him and asked, 'And what about you. Do you know any heroes?" 'Yes, Comrade,' the political officer said, 'I know one. '  A nd off the movie went, telling the tale of the spectacular Russian sniper from the Urals, Valery Zaitsev. from Imdb.com  . Kruschchev (Bob Hoskins) on left, political office (Joseph Fiennes) on right. Well, I too know a hero, or at least an example to follow. A young couple from western Colorado told me they hit the gate at the national park at 430 am. Admission was free, which surprised them, but that isn't why they did it. They were there to enjoy dawn, th

1. Confiscatory taxation of UTVs (side-by-sides), ATVs, etc. At the very least, make this apply to Oklahoma and Texas license plates. 2. Deposits of 25 cents on throw-away beverage and water containers. 3. No electrical amplification of sound (aka, music) at campgrounds NOR IN CARS in the campground. No bongo drums. 4. Lock gate of campground at sunset. At Thursday noon, lock the gate until Sunday noon. 5. Campground speed limit of 5 mph. Mechanisms should enforce this speed limit -- something that does severe damage to the tires would be ideal. 6. Inverter-generator usage should be restricted to an hour at breakfast and an hour at the evening meal. 7. Anti-bark collars on dogs. These seven measures would go a long away towards making Coluhraduh camping less disgusting. They might sound a little draconian, but considering that Scenery Tourism is the first thing that needs to be locked-down during the upcoming Planet-wide Climate Lockdown, these steps are the lesser of two evils. You mi

Long-suffering readers know that one of the pinatas (tilde on n) of this blog is the modern deity of Progress. That is not because I'm opposed to progress, but rather, to the Media's misuse of the term. The Media chases freakish novelty obsessively and then calls it progress. But when I spot true progress, my heart skips a beat. Look at this wonderful umbrella/parasol for a picnic table at the campground.   Over at another campsite there is this canopy for dogs?  I was fluttering my eyelashes over these two things. It almost seems as though the Gringo has finally come to understand that the art of living outdoors is living partially outdoors, and making it adjustable. Haven't I been preaching that for years? It is such a thankless job being ahead of one's time.  These two illustrations of true progress show characteristics that it typically has: humble, incremental, concrete, and demonstrable. In contrast, phony progress is tipped off by grandiose language, vagueness,