I apologized to the horseman for my dog's barking, but neither he nor his horse seemed concerned. I guess they'd seen a dog or two in their day. They walked up to about one body-length from me, and calmly 'parked' themselves.
|Just to put the reader into a Western mood.|
I watch DVDs of TV westerns these days; "The Virginian" in particular. Horses always look so big in the show. But here the horse looked smaller. His eyes were even with mine. Of course they were three or four times as large. The horse stared calmly at me the whole time.
The rider didn't even look that high in the saddle. Recently the ride looked so high when Jena Engstrom mounted the horse in an episode of the Virginian. I fell in love with her riding. She even did her own stunts, once falling off the horse. (And you could see her face -- it was no stunt-girl.) She had to lift her foot up to shoulder height to get on her horse. I almost laughed when comparing it to long-legged Chuck Connors's style of mounting a horse.
Then I peppered the rider with questions about saddle-making, bits, reins, etc. He didn't roll his eyes at my city-slickerish ignorance. He patiently answered the questions, and really seemed to enjoy it. He even gave a demonstration of his horse-handling techniques.
It was late afternoon, getting towards dusk. Finally he needed to get going. His wife was waiting on the main gravel road with the horse trailer and pickup truck. His wife didn't ride with him anymore. She had been thrown twice in one year, and she was, after all, 80 years old. He was 84. Something about that fact was soothing. America seemed basically OK if there were people like them still around.
Moments like this bring on nostalgia for a West that has mostly passed, but not completely. Recall the ending of Jack Schaefer's "Shane:"
"...the man who rode into our little valley out of the heart of the great glowing West and when his work was done rode back whence he had come and he was Shane."But even better than his evanescence into western myth, look at this photo of Chinatown Wash, just as it hits a high, dry waterfall. Thenceforth the canyon is dark and vertical. The slow trickling-down of the Present abruptly becomes fatality and the Past...
And "what was corporeal, vanished, as breath into the wind..."