Details. Do I ever hate details in history books. Consider a book on the causes of the French Revolution: the author could grind through the legal system, economic conditions, etc. All very important of course. But what a tedious bore!
Consider the rather different approach used by Simon Schama, in "Citizens," A Chronicle of the French Revolution. Old-regime France had been no stranger to public ceremonies and spectacles. But your place near the viewing stand was controlled by the aristocratic pecking order.
Then, in the 1780s, public spectacles saw a radical change. Balloons became the high-tech rage. Once they were in the air, it all viewers had the same view.
In other words, [the balloonists] succeeded in establishing a direct and unmediated relationship of comradeship with enormous multitudes of people.
...As a spectacle it was unpredictable; its crowds were incoherent, spontaneous and viscerally roused...
The sense that they were witnessing a liberating event--and augury of a free-floating future--gave them a kind of temporary fellowship in the open air...What a gorgeous metaphor! I will always think of it first when reading about any kind of revolution.
...it exemplified the philosopher's vision of a festival of freedom: uplifting glimpses of the Sublime in which the experience, not the audience, was noble.