A new reader to this blog might expect a photo-dump after a title like that. But I didn't even bring my Canon digital camera. (I did bring the smart phone, but just don't take it seriously as a camera. Maybe I should.)
My friend and I were mountain biking down a trail along a "draw" in the Gunnison CO area. Despite the anti-scenery slant on this blog, I just had to stop and ogle what was there: about 20 aspens, blazing yellow of course, that were pinned between the cliff and the dry creek.
It was really sagebrush country, but the small aspens had managed to survive in their chosen niche. There was a drama to their tenuous existence. Also, it had rained a little recently, and the tiniest bit of moisture seems miraculous to me, after this summer!
The autumnal morning's sun was just clearing the cliff, so that it illuminated the tops of the stunted aspens. The rest of the area was dry sagebrush, in all its glorious austerity. What a contrast!
This was a powerful example of how the contrast between the context and the object is more important than the prettiness of the object itself.
Maybe it was better not to fool with a silly camera, as Edward Abbey suggested. Instead, just pause and let it soak in.
My friend and I were mountain biking down a trail along a "draw" in the Gunnison CO area. Despite the anti-scenery slant on this blog, I just had to stop and ogle what was there: about 20 aspens, blazing yellow of course, that were pinned between the cliff and the dry creek.
It was really sagebrush country, but the small aspens had managed to survive in their chosen niche. There was a drama to their tenuous existence. Also, it had rained a little recently, and the tiniest bit of moisture seems miraculous to me, after this summer!
The autumnal morning's sun was just clearing the cliff, so that it illuminated the tops of the stunted aspens. The rest of the area was dry sagebrush, in all its glorious austerity. What a contrast!
This was a powerful example of how the contrast between the context and the object is more important than the prettiness of the object itself.
Maybe it was better not to fool with a silly camera, as Edward Abbey suggested. Instead, just pause and let it soak in.
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