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The Great Charnel Houses in the Cloud

I w a nt to follow up with some suggestions about conquering the Uni nterrupted Prose Syndrome, by making verbiage "breathe" with some kind of pictorial illustration, gotten somewhere . (Let's ignore the fact that music might be eve n better for this purpose, since it's pr obably more technically difficult to get it into the blog post.)  So off I will go, searching for shareable photographs in the great charnel houses for internet photographs, such as publicDomainPictures.net, Picasa, or Flickr. Blogs that have a Creative Commons License, such as a commenter's blog , are also worth a serious look. Oops. There is a likely problem that we must address before rolling up our sleeves. Recall the controversy that good ol' Leo Tolstoy got into in the Colorado arts scene, one summer not so long ago. (grin) By invoking his arguments on "What is Art?" (free on Google Books), I am not trying to con you with an "appeal to Authority," as it might

Letting a Book Breathe

Now don't be sus picious or skeptical if I boast of progress in my de-internetting project by reading adulterous love triangles. Thanks to getting a library card from the Yuma library, I picked up the late-1940s movie, Anna Karenina , starring Vivian Leigh. She was good in the role and, let's face it, agreeable to look at. It served as inspiration for a rematch with Tolstoy's novel. It took about 40 pages for the main characters to start the soap opera, proper, after which I just rolled my eyes and put the book away. Ahh but wait. Maybe things are different when re-reading a book.  Let's try to learn something from rewatching a movie. Years ago I learned the trick of focusing away from the center of the screen. Without any special effort, you prob ably would be focusing dead center, where the action is an d the leading c haracters are.  Perhaps this could work for re-reading a novel? For example I am merely skimming the main chapters in Anna , all ghastly s